挫
挫是用油畫筆的根部落筆著色的方法，按下筆后稍作挫動然后提起，如書法的逆鋒行筆，蒼勁結實。筆尖與筆根蘸取顏色的差異、按筆的輕重方向不同能產生多種變化和趣味。
拍
用寬的油畫筆或扇形筆蘸色后在畫面上輕輕拍打的技法稱為拍。拍能產生一定的起伏肌理，既不十分明顯，又不致過于簡單，也可處理原先太強的筆觸或色彩，使其減弱。
揉
揉是指把畫面上兩種或幾種不同的顏色用筆直接操合的方法，顏色操合后產生自然的混合變化，獲得微妙而鮮明的色彩及明暗對比，并可起到過渡銜接的作用。
線
線是指用筆勾畫的線條，油畫勾線一般用軟毫的尖頭緒，但在不同的風格中，圓頭、校形和舊的扁筆也可勾畫出類似書強中鋒般的渾厚線條。東西方繪畫開始時都是用線造型的，在早期油畫中通常都以精確嚴謹的線條輪廓起稿，坦潑拉技法中排線法是形成明暗的主要手段。西方油畫到后來才演變為以明暗和體首為主，但盡管如此，油畫中線的因素也從未消失過。纖細、豪放、工整或隨意不拘以及反復交錯疊壓的各種線條運用，使油畫語言更為豐富，不同形體邊線的處理更是十分重要。東方繪畫的用線也影響了很多西方現代大師的風格，如馬蒂斯、凡高、畢加索、米羅和克利等都是用線的高手。
掃
掃常用來銜接兩個鄰接的色塊，使之不太生硬，趁顏色未干時以干凈的扇形筆輕輕掃掠就可達到此目的。也可在底層色上用筆將另一種顏色掃上去來產生上下交錯、松動而不膩死的色彩效果。
跺
指用硬的豬鬃畫筆蘸色后以筆的頭部垂直地將顏料跺在畫面上。跺的方法不很常用，通常只在局部需要特殊肌理的時候才應用。 更多的作品欣賞盡在深圳畫室。
乳劑材料
乳劑材料是一種具有悠久歷史的優秀傳統材料，在現代得到了新的發展。乳劑型材料是兼含有水性和油性成分的混合型材料，兩者的優點也兼而有之。各種坦培拉繪畫材料如蛋彩、酪彩以及蠟質材料都是屬于乳劑系列的。乳劑材料可用水稀釋，干燥速度快，類似水性材料；可以作不透明厚涂，干后不溶于水，又具有油性材料的優點。各類現代的丙烯、乙烯合成顏料等既保留了傳統乳劑材料的特點，又具備油性材料的長處，并且還有其它材料無法替代的效果，是有著很大發展前途的新型材料。
油性材料
The use of oily materials and natural resins as the main medium for painting is oil painting, which is the traditional egg color and egg white and other emulsion-based materials evolved. Oily material is characterized by slow drying, shiny and can be covered repeatedly coated with thick. Oily material has a strong expression and rich technical effect, it can be said that almost all the other materials and paintings include the technical characteristics of species. The characteristics of the oily material allow to delineate the shape of the object in depth, which can show the rich and lifelike color relation of the object, which accords with the desire of the people to reproduce the visual reality in the 14th century, and promote the development of western painting to the realistic development. Oil painting has been in the Western painting after the birth of the dominant position, and worldwide development, which also proved the superiority of oily materials. The transition from water-based materials to oily materials is a long process of change that has lasted for thousands of years and is a major breakthrough in painting techniques and even in art history. The use of oil and resin is one of the important features that distinguishes western painting material techniques from oriental painting techniques.
Pull
Rub
Rub is the pen recumbent, brush the abdomen in the screen drum wipe, usually wipe with less color when a large area can be formed not very obvious strokes, but also shop the underlying color of the common method. In the dry background or the ups and downs of the texture on the brush with the brush method can draw a similar effect of Chinese painting white, so that the underlying texture is more obvious.
Suppression
It is the bottom of the knife in the wet color layer gently press down after the mention, the color of the surface will have a special texture. In some of the need to depict a special texture of the place with suppression techniques can achieve the desired results.
Water-based materials
The earliest use of human pigment is based on water-soluble materials. It is natural that diluents and binders, such as water, gum or animal gum, were naturally used in the early paintings as natural pigments. They were easy to draw and simple to use, which was consistent in the early Eastern and Western paintings. Today's watercolors and gouache pigments are all water-based media, the expression of free, smooth, can produce light, transparent effect, but also Chinese painting, Japanese painting and other oriental painting the main material type.
